When filming my music video, I used
a Canon 550D camera with a cinematic shutter speed and 1.8 aperture lense. This
allowed me to shoot in shallow focus, which gave my video a more professional
feel. I also used two fill lights (and an extra two spotlights for the
black-and-white narrative), which produced high-key lighting, helping to make
my video more slick. I then placed the footage into an Adobe Premiere Pro
document, where I cut all the clips together using the razor tool, added black
and white effects on some clips, changed the speed and scale of some clips, and
reversed some footage too. I also added split screens and inserted text and red
background squares on different layers of my video. Once this stage was
complete, I exported a draft version of my video and put this in Adobe After
Effects, which I was not so familiar with. Here I was able to further edit the
colours of my video with the use of filters that I downloaded, zoom in on
specific shots, and remove blemishes of my models. To remove blemishes of my
actors, I followed a tutorial I had found on www.videocopilot.net, which
involved created a matte of the person’s skin, creating an adjustment layer
which only affected the areas covered by this matte, and then reducing the
noise of the image. This meant that details such as lips and eyes were left
unchanged whilst the skin still blurred slightly.
In terms of my digipack cover and
magazine advert, I also used a Canon 550D camera to take the photos, and Adobe
Photoshop to piece together the final products. For the advert, I edited the
images I had chosen from my video footage into strips using the crop tool,
adjusted the colours using the colour levels, and perfected the skin of my
models using the blemish removal tool. I also made use of the internet at this
stage as I used a font I had downloaded from www.refont.com, called Impact
Label, for the album title and band name. For the digipack cover, I took photos
using a Canon 550D and then edited the colours on Photoshop, and finally I
added the text and logos. The inside of my digipack required the most Photoshop
work of them all, as I made both sides from scratch. I used another tutorial
that I had found and created the wood-textured background through curves and
different layers of colour, and then added the text on one side and the speaker
on the other, making use of highlights and shadows.
Media
technologies did not just help me in my research, planning and production
stages; it was also vital in helping me receive audience feedback too. As well
as traditional feedback forms and ‘vox pop’ footage, I could also post my video
on www.facebook.com, www.vimeo.com and www.youtube.com and record people’s
comments. Displaying my video on a range of platforms allowed me to reach a
variety of people that fitted in both my primary and secondary target
audiences.
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